|Harpsichordist Susan Adams and lutenist Clive Titmuss perform the music of Bach on March 8 at Bottega in East Kelowna. |
And that's just what the Early Music Studio plans to do for its March 8 event, Bach's Birthday Concert, to be held at Bottega.
In this concert celebrating Bach's 329th birthday, lutenist Clive Titmuss and harpsichordist Susan Adams explore new insights into the sparkling solo music Bach wrote.
Titmuss will play a group of pieces Bach wrote early in his career and later arranged for a lutenist to play.Â
"I don't feel the music was originally written at the lute, but probably at the keyboard," said Titmuss. It is a brilliant composition and a convincing imitation of the lute style."
How did Bach's signature style come about and for which gifted players did he write his unique and personal early works?
When he started to become famous, he came into contact with other famous virtuoso players, who asked him for new compositions.Â
He obliged by re-working favourite music compositions from his early years, when his responsibilities had been lighter and he had more time to write for no reason other than the pleasure it brought him. Â
Bach's willingness to create music for its own sake ensured his place among the world's most revered artists.
One of the enduring myths about Bach was that he was an old-school composer, out of touch with new currents in music because he was not interested in the 18th century's hottest trendÂ -Â the bright lights of opera. More recently, attitudes to hisÂ music have shifted - we see he was on the leading edge, that in fact he had instruments designed and built to play pieces he wrote especially for them.
Sometime in the 1730s, Bach had a visit from the most highly paid musician at the Saxon court. Sylvius Leopold Weiss was a lute player whose music may have influenced Bach's own writing.Â During Weiss's visit, it is possible Bach demonstrated a new instrument he had commissioned - a harpsichord with lute strings that, according to one writer, was "supposed to fool the ear of a professional lutenist."
It is easy to imagine Weiss's surprise when Bach sat at the instrument and masterfully played passages of his music written to imitate the lute style, but with the speed and bravura of his most difficult keyboard music.
"It's an intriguing question: was Weiss' ear fooled? He must certainly have been astonished," said Titmuss.
An internationally known luthier, Titmuss will play on a 24-string Baroque lute, which he designed specifically to play the music of Bach.
The Early Music Studio performers illustrate how Bach's compositions evolved, with Adams playing one of his dramatic English Suites, written in his mature years.Â
"This piece disproves the perception Bach was not interested in theatrical style in his music," said Adams. "The opening movement is one of the most gripping thrill-rides I've ever played in a concert."
Audiences are used to hearing Bach's keyboard music on the piano, but the stunning clarity of the harpsichord will satisfy the modern listener because it is so well suited to the architecture of Bach's music.Â
By the 18th century, the harpsichord was a sophisticated musical machine that had benefitted from nearly four centuries of technical development.
Quiet and elegant, Bottega is a great location to enjoy the art of Bach and his contemporaries, Weiss, Bohm, and Muffat - and to enjoy some cake and coffee to celebrate his birthday.
Tickets are available online at
earlymusicstudio.com, through brownpapertickets.com, as well as at Annegret's Chocolates in the Towne Centre Mall on Bernard in Kelowna.Â
For more information about the music or for directions to Bottega, call 250-769-2884 or visit the studio website at earlymusicstudio.com.
What: Early Music Studio presents Bach's Birthday Concert
Who: Susan Adams on harpsichord and Clive Titmuss on lute
When: Saturday, March 8, 7:30 p.m.
Where: Bottega, 4485 Sallows Rd., Kelowna
Tickets: $25 adults, $22 students and seniors, available at earlymusicstudio.com and Annegret's Chocolates in the Towne Centre Mall